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Sound for a conference or speech: the practical guide

A speech the back of the room cannot hear, a microphone that squeals just as the thank-yous begin, a panel discussion where only one speaker has a mic: these are the most common incidents at a corporate event, and the easiest to avoid. Here is how to size the sound system for a speech.

Sound, lighting and video 5 min read Updated on

Attentive participants watching a presentation projected on a screen

What do you need to set up sound for a speech?

Conference sound is simpler than party sound: you are amplifying a voice, not loud music. But it has to be flawless, because every word counts. The set-up always consists of the same elements:

  • The microphones, which pick up the voice: one per person speaking at the same time, plus a spare.
  • The mixing desk, which sets the level of each microphone and blends the voice with the sound from the computer (videos, jingles).
  • The speakers, which project the sound into the room.
  • The technician, who sets up, runs the sound check and monitors the levels throughout the session.

Many seminar venues already have a built-in sound system and two wireless microphones, such as the Espace Soleil at the Cercle des Nageurs on the Corniche. Check what is provided before hiring anything, and ask to test the venue’s equipment: a built-in system is not always suited to a full room.

Which microphone for which use?

Type of microphoneAdvantagesLimitationsBest suited to
Wireless handheld microphoneSimple, easy to pass around, robustTakes up one hand, the speaker must hold it close to their mouthAwards ceremony, audience questions, host
Wireless lavalier (clip-on) microphoneDiscreet, hands-freePicks up clothing rustle, less volume before feedbackConference, keynote, presentation with gestures
Headset microphoneHands-free, steady voice even when movingVisible, must be fitted to each speakerKeynote on the move, stage host
Lectern (gooseneck) microphoneFixed, always in the right positionThe speaker stays behind the lecternOfficial speech, opening, general meeting

For a panel discussion, give each speaker their own microphone rather than sharing a handheld one: the conversation flows more naturally and nobody speaks off-mic. For audience questions, plan one or two roaming microphones and someone to carry them.

How many speakers does a conference room need?

There is no universal rule: it all depends on the shape of the room, the ceiling, the materials and the background noise. A few practical benchmarks:

  • For up to around a hundred people in a standard meeting room, two powered speakers on stands, placed either side of the stage, are generally enough. Our DJ Ambiance package, for example, includes two speakers for 150 people.
  • For a long room, add a pair of delay speakers halfway down, with a slight delay, so the back row hears as well as the front without deafening those at the front.
  • Outdoors or on a terrace, sound gets lost: plan more power and keep an eye on the wind.
  • In an auditorium, use the installed system and the venue’s own technician.

Always place the speakers in front of the line of presenters, facing the audience: it is the first line of defence against feedback. If the room also plays videos with music, a subwoofer makes a clear difference to the sound.

Do you need a technician?

For a simple five-minute welcome, a microphone plugged into one speaker may be enough. As soon as there are several speakers, videos, a panel discussion or an audience of more than 50 people, a technician becomes essential. They run the sound check before the audience arrives, switch microphones on and off at the right moment (an open mic picking up a backstage conversation is a classic), play the videos and react within seconds if there is a problem.

How to prepare for the day?

  1. Send the running order to the technician: order of speakers, number of people speaking in each segment, videos to play.
  2. Schedule a sound check at least an hour before the doors open, with the main speakers if possible.
  3. Test the presentation laptop connected to the sound system: video sound is often forgotten.
  4. Brief the speakers: hold the microphone close to the mouth, do not tap it to test it, do not walk in front of the speakers.
  5. Keep a spare microphone switched on and muted at the control desk.

What about music between presentations?

A silent room during the welcome or between sessions feels empty. Discreet background music as the audience arrives, a short jingle to introduce each speaker and walk-out music at the break give the day its rhythm. Prepare them with the technician: an approved playlist, files named in the order of the running order, and a volume low enough for participants to talk to each other. If an evening party follows, the same system can be used by a DJ; often all you need to add is a subwoofer and dance floor lighting.

What about a hybrid or filmed event?

If the conference is streamed by video call or filmed, the room sound also has to feed the camera or the streaming computer. The mixing desk provides a dedicated output; include it in the quote from the start, along with a videographer if you want a film of the presentation. For the visual side, see our article on screens and video projection.

A saxophonist and a DJ on a stage equipped with a sound system
The same set-up can serve for the speeches in the afternoon and the music in the evening.

Questions we are often asked

Which microphone should you choose for a corporate speech or conference?

For a speaker who moves around or uses their hands, a wireless lavalier (clip-on) or headset microphone is the most comfortable. For an awards ceremony or audience questions, a wireless handheld microphone is easier to pass from hand to hand. Always have a spare microphone and fresh batteries; a wireless microphone can be hired from €45 per day in Marseille at ADJM Événementiel.

How to avoid feedback during a speech?

Feedback (the whistling sound) happens when the microphone picks up the sound from the speaker. Place the speakers in front of the stage, never behind the presenter, ask the presenter not to walk in front of them, and have a technician set the volume during a sound check before the audience arrives.

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